I'm gonna have to spoil the plot a little in order to describe just how stupid this movie really is...Started out decent, with good music which sounded like a lo-fi version of the DRIVE soundtrack but then oh goodness... Just think about the plot for once and tell me it's not awful... A psychokiller who kills people very often, is also a necrophiliac BUT instead of having necro-sex his victims he has to go to a secret necrophilia club to sex corpses thereThen you have a guy who wants to kill mr psycho, and the best idea he can come up with is to snatch up a prostitute junkie, take her hostage and train her into a killing machine so that she can do the killing for him And how is she supposed to do the killing? By pretending to be a corpse of course at the necro-club But to kill someone one has to have a weapon right? So instead of putting up a small gun so called mouse gun or pocket-gun that could easily fit her vagina, he thinks it's wiser to take a big gun and take it apart and cut her up and shove the parts in there instead so she halfways bleeds to death before even getting close to the person she's gonna kill...Only recommended if naked women covered in blood is your cup of tea and you don't care about a plot making any senseBut even then I'd recommend SUSHI GIRL instead which wasn't that good either but manages to look like a masterpiece in comparison with this horse turd
A brilliant doctor (Kairi Narita) on a quest for revenge buys a young woman (asami) and trains her to be the ultimate assassin, implanting gun parts in her body that she must later assemble and use to kill her target before she bleeds to death.Asami has really become an international star. She broke out in "Machine Girl" and has since appeared in "Zombie Ass" and "Gothic & Lolita Psycho". This may be her first title role, or at least her biggest title role.As others have pointed out, the wraparound story is the weakest part and seems to be a plot device to have the film be in English (a wise decision). Does it help move the story? Maybe a little, but it could have been completely removed without much hassle.Dread Central says, "A big part of this is the amazing score by Dean Harada. All synths and metal guitars." He may be best known for "Samurai Avenger: The Blind Wolf", which also happens to be directed by this film's Kurando Mitsutake. They are spot on. Love it or hate it, Harada just dominates this film.James Marsh says the movie "rises above its budgetary limitations in suitably sleazy style". This sums up the picture. While it does have those budget issues, and tends to be overly reliant on nude women to tantalize the audience, it will appeal to the fans of "Machine Girl" and "Tokyo Gore Police", and before long the quality is no longer an issue.
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The interviewee, a French Jewish woman who was a child in Ukraine and born in 1934, describes the Soviet takeover in Nizhyn, Ukraine; the arrival of the Germans after the war began; and how she was forced to march with other Jews to a camp in Mahilioŭ, Belarus.
The interviewee, a Ukrainian woman, discusses how her uncle described to her the shooting of Jews in a trench near the towns of Starokostiantyniv, Khmel'nyts'ka oblast', Ukraine, as well as her own memories of seeing the camp in Starokostiantyniv, Ukraine.
The interviewee, a Ukrainian woman born in 1925, discusses how no Jews lived in her village; how Jews were brought to her village from the nearby town of Khmel'nyts'kyĭ, Ukraine; and how many Jews were shot in a ravine by Germans and Ukrainian police.
The interviewee, a Ukrainian woman born in 1929, describes how Jews were brought to her village (possibly near Leznevo, Khmel'nyts'ka oblast', Ukraine) during the summer, held for about a month in a camp, and then shot over the period of a few days near the village.
The interviewee, a Ukrainian woman born in 1936, describes a ghetto area in what is possibly near Leznevo, Khmel'nyts'ka oblast', Ukraine; how Ukrainians, including her mother, threw food to the Jews; how Jews were later shot in nearby trenches by Ukrainian police; how some villagers participated in the shooting; how Soviet partisans were also shot; and how her father was among local Ukrainians forced to dig trenches and cover bodies.
The interviewee, a Ukrainian woman born in 1929, discusses the presence of Jews in Yarmolyntsi, Khmel'nyts'ka oblast', Ukraine before the war; how, soon after the Germans arrived, they gathered the Jews in an area in the center of the town; how her mother gave food to some Jews; and how her mother described to her a several month-long shooting and burial of thousands of Jews and in a trench.
The interviewee, a Ukrainian woman born in 1928, discusses the German occupation of Smotrych, Khmel'nyts'ka oblast', Ukraine; Jewish life in the region before the war; the arrival of Germans in 1941 and the subsequent shooting of Jews; and how she was taken to Germany to work on farms near Frankfurt.
The interviewee, a Ukrainian woman born in 1928, describes how prior to the German invasion, most of the Jews who lived in Kamianka-Buzka, L'vivs'ka oblast', Ukraine had little shops in their houses; how all of the town's Jews were killed in one day; and her memories of seeing the trench where they were shot and buried.
The interviewee, a Ukrainian woman born in 1924, describes the arrival of German troops in Pyatydne (Pyatidni), Volyns'ka oblast', Ukraine; how the three Jewish families in the town were taken with Jews from nearby areas to Volodymyr-Volyns'kyĭ, Ukraine; how Ukrainians would throw bread over the ghetto fence; how Jews were shot over a two week period and buried in four trenches, which had been part of construction work to build an airfield when Poland ruled the area; and how local Ukrainians were requisitioned to fill in the trenches.
The interviewee, a Ukrainian woman born in 1929, describes the establishment of a ghetto in Rava-Rus'ka, L'vivs'ka oblast', Ukraine; how her family gave refuge to a Jewish family until they were betrayed to the Germans, who took the family away; how she was told that all the Jews in the ghetto were shot and buried in the Jewish cemetery; how Soviet prisoners of war were also shot near Rava-Rus'ka; and how her family helped hide a Soviet soldier.
The interviewee, a Ukrainian woman born in 1923, discusses a prisoner of war camp near Rava-Rus'ka, L'vivs'ka oblast', Ukraine; how many Jews lived and owned stores in Rava-Rus'ka before the war; how soon after their arrival, the Germans established a ghetto in the center of town; the shooting of many Jews on the streets; how she witnessed one Jewish woman being shot; and how the bodies were carried to the Jewish cemetery.
The interviewee, a Ukrainian woman born in 1931, discusses war-time events in Rava-Rus'ka, L'vivs'ka oblast', Ukraine, where many Jews lived before the war; how after the arrival of the Germans, Jews were forced into a ghetto in the center of town; how her sister worked within the ghetto in an egg-processing enterprise that employed Ukrainians as well as Jews; how Jews were taken by train to Belz, L'vivs'ka oblast', Ukraine, where they were shot; how she learned about a camp for Soviet prisoners of war in the area; and how she saw French prisoners of war from a nearby camp.
The interviewee, a Ukrainian woman born in 1923, discusses the ghetto in Polonka, Volyns'ka oblast', Ukraine; how Ukrainians, including her family, sold milk and bread to the prisoners; and that she was aware that Jews were shot, but did not know any details.
The interviewee, a Ukrainian woman born in 1922, discuses war-time events in Ostriv (Ostrov or Ostrow), Rivnens'ka oblast', Ukraine; how she knew of one Jewish family in Ostriv before the war; how German troops stayed in the city only to get food before they proceeded further east; and how she was sent to Germany in June 1942.
The interviewee, a Ukrainian woman born in 1933, discusses events in Zalav'ya (Zalavye), Rivnens'ka oblast', Ukraine, where many Jews lived before the war; the ghetto where the Jews were confined; how, while working in the fields, she saw trenches being dug; how Jews from Zalav'ya (Zalavye) and the surrounding area were brought to the trenches and shot; and how she could hear the shooting. 2ff7e9595c
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